Film/Commerical Work

LIBRARY/PRODUCTION MUSIC

This section features a number of music tracks which are available for licence (either on CD or directly from this site), for film, television, and radio productions or private use.

This CD was a collaboration with composer John Rea

Dusk til Dawn CD was released through FTV Media, KPM Production Music Library

Contact us directly (above) to request a full copy of the CD

Click on each of the individual tracks below to listen.

After listening, if you want to buy a track on licence, click on the following 'Licence track through MCPS' link, quoting the track name, title of CD (Dusk til Dawn - FTV Media/KPM),and track length:

>>LICENCE TRACK THROUGH MCPS



DUSK TIL DAWN - Cool Grooves and Ethereal Soundscapes - click to enlarge

DUSK TIL DAWN - Cool Grooves and Ethereal Soundscapes

Audio files:

 

Track 1 - City Echoes (a) 1 min 55 secs

Gritty, urban track with gradual build from congas to Hip-Hop beat - dark atmosphere, suspense and brief appearance of solo trumpet

 

Track 2 - City Echoes (b) 2 mins 10 secs

Full blown version of 'City Echoes' with additional soaring improvised trumpet line - gritty, urban track with gradual build from congas to Hip-Hop beat - dark atmosphere, suspense. Uplifting in climax

 

Track 3 - City Echoes (c) 1 min 08 secs

Second half only of the full blown version of 'City Echoes' with the uplifting soaring improvised trumpet line - gritty, urban track with gradual build from congas to Hip-Hop beat - dark atmosphere, suspense.

 

Track 4 - City Echoes (d) 1 min 49 secs

Percussion, synth pads and strings - background track to 'City Echoes' without trumpet - gritty, menacing, urban track with dark atmosphere, suspense.

 

Track 5 - Startled Still (a) 2 mins 04 secs

Combination of dark atmos track, leading into slow percussive metallic Hip-Hop. Takes off after 1 min 22 secs into high-octane chaos 'chase' with harmon-muted (Miles Davis soundalike) trumpet line

 

Track 6 - Startled Still (b) 42 secs

Straight into the high-octane chaos 'chase' with harmon-muted (Miles Davis soundalike) trumpet line and fast Hip-Hop beats

 

Track 7 - Night Shift (a) 2 mins 02 secs

Urban pads with pacy Hip-Hop beats and harmon-muted trumpet running around them in a soulful way - menacing and harrowing in character

 

Track 8 - Night Shift (b) 50 secs

Shorter version of track 7. Urban pads with elements of pacy Hip-Hop beats and harmon-muted trumpet running around them in a soulful way - menacing, dissonant and harrowing in character. Winds down at end.

 

Track 9 - Night Shift (c) 50 secs

Short atmospheric intro, moving into pacy Hip-Hop beats trancy synth interjections. Winds down at end.

 

Track 10 - Night Shift (d) 1 min 07 secs

Restrained pacy start, followed by harmon-muted manic improv. on trumpet

 

Track 11 - City Twilight (a) 1 min 38 secs

Shakers, strings & congas build into high energy drum & bass sequence with improvised harmon-muted trumpet on top

 

Track 12 - City Twilight (b) 1 min 00 secs

This track evokes the image of someone 'on the run', who is eventually caught, or runs out of steam. Disturbing dissonant feel, led by muted trumpet against drum and bas & trancy sounds

 

Track 13 - City Twilight (c) 2 mins 12 secs

A chase. This track begins evoking the image of someone 'on the run', with fast dum & bass beats, then halfway through transcends into a lonely cold lost world - dream like and slightly unnerving.

 

Track 14 - Night Shadows (a) 1 mins 03 secs

Rhythmic celtic track with solo folk violin, pads, congas, and a cool beat. Picks up tempo suddenly half way through, joined by solo trumpet towards the end.

 

Track 15 - Night Shadows (b) 30 secs

First half only of track 14. Rhythmic celtic track with solo folk violin, pads, congas, and a cool beat.

 

Track 16 - Night Shadows (c) 33 secs

Second half of track 14. Upbeat fast rhythmic celtic track with solo folk violin, pads, congas, and a fast hip-hop beat, joined by solo trumpet towards the end.

 

Track 17 - Sea Dawn (a) 34 secs

Moving, slow lyrical atmospheric short track with solo celtic violin and synth pads.

 

Track 18 - Sea Dawn (b) 42 secs

Similar track to track 17, but with a gentle rhythmic base (shakers), plus some other elements - solo celtic violin, strings, piano and synth pads.

 

Track 19 - Morning Mist 56 secs

Sense of expectancy and forboding - an atmospheric track with synth pads, restrained strings, and piano.

 

Track 20 - Night Shadows 1 min 04 secs

Starts the same as track 14, but instead of taking off in tempo half way through, turns more atmospheric, with an air of expectancy. Rhythmic celtic track with solo folk violin, shakers, pads, congas, bass, and a cool beat.

 

Track 21- City Twilight (a) 27 secs

Subtle, purely percussive track with shaker, toms and block

 

Track 22- City Twilight (b) 30 secs

Short percussive track - an extension of previous track, with added pads and a beat breaking in towards the end.

 

Track 23 - Cover Up (a) 57 secs

Starts with sci-fi pad and congas, then develops a strong but laid-back drum and bass beat with strings - a relaxed track with a feeling of suspense

 

Track 24 - Cover Up (b) 1 min 53 secs

Extended version of previous track. Percussive, with congas, a laid-back beat, disturbing pads, and thin strings

 

Track 25 - Cover Up (c) 34 secs

Shorter version of previous track

 

Track 26 - Being Watched 42 secs

Dark, disturbing, lonely and urban atmos. track

 

Track 27 - Night Still 35 secs

Short atmos track with low, forboding bass and pads - feeling of suspense and space.

 

Track 28 - Morning Glimmer (a) 1 min 26 secs

Soft pad, piano, and thick harmonic texture invoke a sense of early morning with hope

 

Track 29 - Morning Glimmer (b) 52 secs

Similar to previous track. Soft pad, piano, and thick harmonic texture, but ending with a strong sense of forboding

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